| 000 -LEADER |
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| fixed length control field |
06555nam a22003377a 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
NMP |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20240215094601.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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240215b ph ||||| |||| 00| 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781138907966 (hardback) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781138907973 (paperback) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781315686943 (ebook) |
| 040 ## - CATALOGING SOURCE |
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| Transcribing agency |
NMP LIBRARY |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
N 408 |
| Item number |
C87 2022 |
| 245 10 - TITLE STATEMENT |
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| Title |
Curating art / |
| Statement of responsibility, etc. |
edited by Janet Marstine and Oscar Ho Hing Kay. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
|---|
| Place of publication, distribution, etc. |
Abingdon, Oxon ; |
| -- |
New York : |
| Name of publisher, distributor, etc. |
Routledge ; |
| -- |
Taylor & Francis Group, |
| Date of publication, distribution, etc. |
2022. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xx., 458 pages : |
| Dimensions |
24 cm. |
| 490 ## - SERIES STATEMENT |
|---|
| Series statement |
Leicester Readers in Museum Studies. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographical references and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
1. Curating as a relational practice<br/><br/>Janet Marstine and Oscar Ho Hing Kay<br/><br/>Part I Expertise<br/><br/>Introduction to Part I<br/><br/>Janet Marstine<br/><br/>Groundwork<br/><br/>2. Curation is Spreading<br/><br/>Hajime Nariai<br/><br/>3. Who is HUO?<br/><br/>David Balzer<br/><br/>Connoisseurship<br/><br/>4. From connoisseurship to technical art history: the evolution of the interdisciplinary study of art<br/><br/>Maryan W. Ainsworth<br/><br/>Curatorial vision and institutional history<br/><br/>5. ‘Electronic Refractions II’ at the Studio Museum in Harlem<br/><br/>Susan E. Cahan<br/><br/>6. On quality: curators at the San Francisco Museum of Modern Art (1935-2010)<br/><br/>Richard Cándida-Smith<br/><br/>Provenance<br/><br/>7. Faked biographies: the remake of antiquities and their sale on the art market<br/><br/>Brigitta Hauser-Schäublin and Sophorn Kim<br/><br/>8. Renewing Nazi-era provenance research efforts: case studies and recommendations<br/><br/>Nancy Karrels<br/><br/>Exhibition-making and the canon<br/><br/>9. Aestheticized installations for modernism, ethnographic art and objects of everyday life [excerpt]<br/><br/>Mary Anne Staniszewski<br/><br/>10. Eloquent walls and argumentative spaces: displaying late works of Degas<br/><br/>Richard Kendall<br/><br/>11. Feminist perspectives on curating<br/><br/>Dorothee Richter<br/><br/>Linking past to present<br/><br/>12. The Battle over ‘The West as America’<br/><br/>Alan Wallach<br/><br/>13. Curating contemporary art: narrating the past and reflecting on the individual and time<br/><br/>Vivian Ting Wing Yan<br/><br/>Part II Engagement<br/><br/>Introduction to Part II<br/><br/>Janet Marstine<br/><br/>Groundwork<br/><br/>14. Masterpieces and the critical museum<br/><br/>Katarzyna Murawska-Muthesius<br/><br/>The processes of cultural translation<br/><br/>15. From entangled objects to engaged subjects: knowledge translation and cultural heritage regeneration<br/><br/>Lea S. McChesney<br/><br/>16. The ‘fourth world’ theory in Wonil Rhee’s curating: focusing on post-colonialism<br/><br/>Kim Sung-Ho<br/><br/>Artists as curators<br/><br/>17. The book in which we learn to read: contemporary artists and their place within historical museums<br/><br/>Jasper Sharp<br/><br/>18. Curatorial relationality<br/><br/>Beatrice von Bismarck<br/><br/>19. No good time for an exhibition: reflections on the Picasso in Palestine project, Part I<br/><br/>Michael Baers<br/><br/>Relational practice with publics<br/><br/>20. Other people’s stories: bringing public-generated photography into the contemporary art museum<br/><br/>Areti Galani and Alexandra Moschovi<br/><br/>21. The unexpected guest: food and hospitality in contemporary Asian Art<br/><br/>Francis Maravillas<br/><br/>Negotiating the local and the global<br/><br/>22. The right to be wrong<br/><br/>Howard N. Fox<br/><br/>23. Homegrown: The origins of performance art in Myanmar<br/><br/>Nathalie Johnston<br/><br/>24. From object to subject: conceptualizing ‘The Future of Tradition-The Tradition of Future’<br/><br/>Avinoam Shalem<br/><br/>Navigating the pressures of censorship<br/><br/>25. Encounters with censorship<br/><br/>Ngũgĩ wa Thiong’o<br/><br/>26. Art is not bioterrorism: the criminalization of critical cultural and intellectual production<br/><br/>Faith Wilding<br/><br/>Part III Platforms<br/><br/>Introduction to Part III<br/><br/>Janet Marstine<br/><br/>Groundwork<br/><br/>27. The roving eye: Southeast Asian art’s plural views on self, culture and nation<br/><br/>Iola Lenzi<br/><br/>28. Experiments in integrated programming<br/><br/>Sally Tallant<br/><br/>29. The transmedia museum<br/><br/>Jenny Kidd<br/><br/>Blurring the boundaries between performance, programme and exhibition<br/><br/>30. ‘The Play’: reassembling African arts in the West’<br/><br/>Joshua I. Cohen<br/><br/>31. Museum for the people? Two joint projects for Haiti and Congo<br/><br/>Bogumil Jewsiewicki<br/><br/>Appropriating the apparatus of the institution<br/><br/>32. Trading Place: Museum of contemporary art<br/><br/>Kao Chien-Hui<br/><br/>33. Mockstitutions<br/><br/>Gregory Sholette<br/><br/>Curating interstitial spaces<br/><br/>34. Invading the medias: Selma and Sofiane Ouissi’s ‘Dream City’<br/><br/>Rachida Triki<br/><br/>35. Bishan Project: restarting the rural reconstruction movement<br/><br/>Ou Ning<br/><br/>New models of curating in a network culture<br/><br/>36. Reconfiguring curation: noninstitutional new media curating and the politics of cultural production<br/><br/>Patrick Lichty<br/><br/>37. The politics of contemporary curating: a network perspective<br/><br/>Joasia Krysa |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
"Curating Art provides insight into some of the most socially and politically impactful curating of historical and contemporary art since the late 1990s. It offers up a museological framework for understanding watershed developments of curating in art museums. Representing the plurality of theory and practice around the expanded field of relational curating, the book focuses on curating that prioritises the quality of relationships between people and objects, between institutions and people and among people. It has wide international breadth, with particularly strong representation in East and Southeast Asia, including four papers never before translated into English. This Asian cluster illuminates the globalisation of the field and challenges dichotomies of east and west, while also acknowledging distinctions within specific, but often transnational, cultural spheres. The compelling philosophical perspectives and case studies included within Curating Art will be of interest to students and researchers studying curating, exhibition development and art museums. It will also inspire current and emerging curators to pose challenging but important questions about their own practice and the relationships that this work sustains"-- |
| Assigning source |
Provided by publisher. |
| 546 ## - LANGUAGE NOTE |
|---|
| Language note |
in English. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Art museums |
| General subdivision |
Curatorship. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Art museums and community. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Art museums |
| General subdivision |
Curatorship |
| Geographic subdivision |
Asia. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Art museums and community |
| Geographic subdivision |
Asia. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Marstine, Janet, |
| Relator term |
editor. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Ho Hing Kay, Oscar, |
| Dates associated with a name |
1956- |
| Relator term |
editor. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Knell, Simon J. |
| Relator term |
series editor. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY |
|---|
| Relationship information |
Online version: |
| Title |
Curating art |
| Place, publisher, and date of publication |
Abingdon, Oxon ; New York : Routledge, [2022] |
| International Standard Book Number |
9781315686943 |
| Record control number |
(DLC) 2021043768 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
|
| Koha item type |
Books |
| Suppress in OPAC |
No |