| 000 -LEADER |
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| fixed length control field |
03727nam a22003137a 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
NMP |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20240206110754.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
240206b ph ||||| |||| 00| 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9780815396185 (hardback) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9780815396192 (paperback) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| Canceled/invalid ISBN |
9780815396215 (ebook) |
| 040 ## - CATALOGING SOURCE |
|---|
| Transcribing agency |
NMP LIBRARY |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
N 72 |
| Item number |
C 87 2021 |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Curating under pressure : |
| Remainder of title |
international perspectives on negotiating conflict and upholding integrity / |
| Statement of responsibility, etc. |
edited by Janet Marstine and Svetlana Mintcheva. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
|---|
| Place of publication, distribution, etc. |
Abingdon, Oxon ; |
| -- |
New York, NY : |
| Name of publisher, distributor, etc. |
Routledge ; |
| -- |
Taylor & Francis Group, |
| Date of publication, distribution, etc. |
2021. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xxiv., 238 pages : |
| Other physical details |
illustrations (some color) ; |
| Dimensions |
25 cm. |
| 490 0# - SERIES STATEMENT |
|---|
| Series statement |
Museum meanings, |
| Volume/sequential designation |
29 |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc. note |
Includes bibliographical references and index. |
| 505 ## - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Contents<br/>List of figures<br/>List of plates<br/>List of contributors<br/>Introduction<br/>Acknowledgments<br/>Part 1 Understanding self-censorship<br/>1 Rethinking the curator's remit<br/>2 Much ado about nothing: policing of controversial art in the UK<br/>3 Curating contemporary global art in Doha, Qatar: anticipated "conversations," undesirable controversies and state self-censorship<br/>4 No names, no titles, no further explanations<br/>5 Lady disrupted: self-censorship and the processes of feminist curating in South Africa 6 Bishan project: efforts to build a utopian community under authoritarian rule<br/>Part 2 Negotiating self-censorship<br/>7 Navigating censorship: a case from Palestine<br/>8 Truth or dare? Curatorial practice and artistic freedom of expression in Turkey<br/>9 The complexity of taking curatorial risks: case studies from East Asia<br/>10 Negotiating self-censorship in the representation of Colombian armed conflict<br/>11 Experimental curatorship in Russia: beyond contemporary art institutions<br/>12 From Carbon Sink to WASTE LAND: a case study in navigating controversy 13 The bigger picture: rethinking curatorial approaches to photographs of childhood<br/>14 Smart tactics: toward an adaptive curatorial practice<br/>Index<br/> |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
"Curating Under Pressure breaks the silence surrounding curatorial self-censorship and shows that it is both endemic to the practice and ubiquitous. Contributors map the diverse forms such self-censorship takes and offer creative strategies for negotiating curatorial integrity. This is the first book to look at pressures to self-censor and the curatorial responses to these pressures from a wide range of international perspectives. The book offers examples of the many creative strategies that curators deploy to negotiate pressures to self-censor and gives evidence of curators' political acumen, ethical sagacity and resilience over the long term. It also challenges the assumption that self-censorship is something to be avoided at all costs and suggests that a decision to self-censor may sometimes be politically and ethically imperative. Curating Under Pressure serves as a corrective to the assumption that censorship pressures render practitioners impotent. It demonstrates that curatorial practice under pressure offers inspiring models of agency, ingenuity and empowerment. Curating under Pressure is a highly original and intellectually ambitious volume and, as such, will be of great interest to students and academics in the areas of museum studies, curatorial and gallery studies, art history, studio art, and arts administration. The book will also be an essential tool for museum practitioners"-- |
| Assigning source |
Provided by publisher. |
| 546 ## - LANGUAGE NOTE |
|---|
| Language note |
in English. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Art and society. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Curatorship. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Intellectual freedom. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Censorship. |
| 700 10 - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Marstine, Janet, |
| Relator term |
editor. |
| 700 10 - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Mintcheva, Svetlana, |
| Relator term |
editor. |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
|
| Koha item type |
Books |
| Suppress in OPAC |
No |