| 000 -LEADER |
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| fixed length control field |
03151cam a22003257i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
20222143 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
NMP |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20230521134252.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
171215t20172017enka b 001 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781472418845 |
| Qualifying information |
(hardback) |
| 040 ## - CATALOGING SOURCE |
|---|
| Transcribing agency |
NMP |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
|---|
| Classification number |
N 7480 |
| Item number |
C66 2017 |
| 245 00 - TITLE STATEMENT |
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| Title |
Comparativism in art history / |
| Statement of responsibility, etc. |
edited by Jaś Elsner. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
|---|
| Place of publication, distribution, etc. |
New York : |
| Name of publisher, distributor, etc. |
Routledge, Taylor & Francis Group, |
| Date of publication, distribution, etc. |
2017. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Date of production, publication, distribution, manufacture, or copyright notice |
©2017 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
x, 233 pages : |
| Other physical details |
illustrations ; |
| Dimensions |
26 cm. |
| 336 ## - CONTENT TYPE |
|---|
| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
|---|
| Media type term |
unmediated |
| Media type code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
|---|
| Carrier type term |
volume |
| Carrier type code |
nc |
| Source |
rdacarrier |
| 490 1# - SERIES STATEMENT |
|---|
| Series statement |
Studies in art historiography ; |
| Volume/sequential designation |
12 |
| 500 ## - GENERAL NOTE |
|---|
| General note |
"An Ashgate book"--Cover. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc. note |
Includes bibliographical references and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Introduction: some stakes of comparison / Stanley Abe and Jas Elsner -- Our literal speed / Our Literal Speed -- Locations of comparison: some personal observations / Wu Hung -- Bivisibility: why art history is comparative / Whitney Davis -- Redundancy, transformation, impersonation / Margaret Olin -- The object in the comparative context / Ittai Weinryb -- Sculpture: a comparative history / Stanley Abe -- Intersecting historiographies: Henri Pirenne, Ernest Herzfeld, and the myth of origin / Avinoam Shalem -- Comparativism in anthropology: big questions and scaled comparison: an illusive dream? / Susanne Kuchler -- Was the Knidia a statue? Art history and the terms of comparison / Richard Neer -- Christian Marclay's real-time fiction / Robert Slifkin -- Narrative, naturalism, and the body in classical Greek and early imperial Chinese art / Jeremy Tanner. |
| 520 8# - SUMMARY, ETC. |
|---|
| Summary, etc. |
Featuring some of the major voices in the world of art history, this volume explores the methodological aspects of comparison in the historiography of the discipline. The essays assess the strengths and weaknesses of the comparative practice in the history of art, and consider the larger issue of the place of the comparative in how art history may develop in the future. The contributors represent a comprehensive range of period and geographic command from antiquity to modernity, from China and Islam to Europe, from various forms of art history to archaeology, anthropology and material culture studies. Art history is less a single discipline than a series of divergent scholarly fields - in very different historical, geographic and cultural contexts - but all with a visual emphasis on the close examination of objects. These fields focus on different, often incompatible temporal and cultural contexts, yet nonetheless they regard themselves as one coherent discipline - namely the history of art. There are substantive problems in how the sub-fields within the broad-brush generalization called 'Art History' can speak coherently to each other. These are more urgent since the shift from an art history centered on the western tradition to one that is consciously global. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Art |
| General subdivision |
Historiography. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Art, Comparative. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Elsner, Jaś, |
| Relator term |
editor. |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
|---|
| Uniform title |
Studies in art historiography (London, England) ; |
| Volume/sequential designation |
12. |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
|
| Koha item type |
Books |
| Suppress in OPAC |
No |